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In 19th century, The ballerina became the most popular dance performer in Europe in the first half of the 19th century, gradually turning the spotlight away from the male dancer. In many performances, ballet heroes were played by a woman, like the Principal Boy in pantomime.
The professionalism of ballet companies became a focus for a new generation of ballet masters and dancers. Vienna was an important source of influential ballet coaches. The first ballet master of Hungary's National Theatre and Royal Opera was the Vienna-born Frigyes Campilli, who worked in Budapest for 40 years.
The 19th century was a period of great social change, which was reflected in ballet by a shift away from the aristocratic sensibilities that had dominated earlier periods through romantic ballet. Ballerinas such as Geneviève Gosselin, Marie Taglioni and Fanny Elssler experimented with new techniques such as pointework that gave the ballerina prominence as the ideal stage figure. Taglioni was known as the "Christian Dancer," as her image was light and pure (associated with her role as the sylph in La Sylphide). 
Source: https://en.wikipedia.org/wiki/History_of_ballet
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